Every entry

• Belting Without Strain: Support, Not Squeeze

  Belting is a chest-dominant sound carried well above the speaking range. It is not inherently damaging; what damages voices is belting with the throat instead of the breath, and doing it for longer than the coordination can hold.

  2026-09-17 13 min resonance Range & register
• Rehearsing on a Tired Voice: How to Cut Without Losing Progress

  Cancelling every tired rehearsal is as unhelpful as singing through all of them. The useful skill is knowing which parts of a rehearsal can be done at low vocal cost — and doing those parts well while the rest waits.

  2026-09-13 11 min breath Voice care
• Head Voice vs Falsetto: Same Notes, Different Setup

  Both sound high, both use a thinned fold configuration, and they are not the same thing. The difference is whether the folds close completely — and that difference decides whether you can carry a crescendo on the note.

  2026-09-09 12 min resonance Range & register
• The Descending Five-Tone Scale: The Safest First Warmup

  If you only have five minutes before a rehearsal and your voice is not awake, start here. A descending five-tone pattern asks for the top note first, while you still have fresh air and low tension, and then lets the voice fall away from it.

  2026-09-06 6 min pitch Warmups
• Voice Rest After a Cold: How Much, and When to Stop

  After a cold, the question is never whether to rest the voice but how much. Complete silence for a week is rarely necessary and often counterproductive; singing through a swollen voice is what causes the injuries people worry about.

  2026-09-03 10 min breath Voice care
• Bridging Chest and Head: Mixed Voice in Four Steps

  Mixed voice is not a third register you have to find. It is the overlap between two configurations, and the work is to make that overlap wide enough that no single note sounds like it belongs to only one of them.

  2026-08-31 14 min resonance Range & register
• Sirens: Sliding Through Three Octaves Without a Break

  A siren is one continuous glide from your lowest comfortable note to your highest. Because nothing stops, nothing can snap: the registers have to hand over gradually, and you can hear exactly where the handover is uneven.

  2026-08-28 7 min pitch Warmups
• Hydration and the Vocal Folds: What Water Actually Does

  Drinking water does not lubricate your vocal folds. It hydrates the tissue underneath them, systemically, over hours. That timing is why the glass you drink right before singing does almost nothing for the next ten minutes, and why the water you drank this morning does.

  2026-08-25 8 min breath Voice care
• Humming on NG: Waking Resonance Without Pushing

  A hum on the NG sound is the quietest warmup that still does real work. It puts the folds together gently, sends the sound into the mask, and gives you a reference for what "forward" feels like before you open your mouth and start shaping vowels.

  2026-08-23 10 min resonance Warmups
• Finding Your Passaggio: Where the Break Actually Sits

  The passaggio is the boundary where the vocal folds stop being able to stay thick and must begin to thin. Every singer can locate theirs in about ten minutes with a keyboard, three vowels and a tolerance for honest listening.

  2026-08-20 12 min resonance Range & register
• Lip Trills: The Two-Minute Reset Before You Sing

  A lip trill is the fastest way to check that air is still moving steadily before you ask the voice for anything loud. It needs no piano, takes about two minutes, and it fails in an audible way — which is exactly what makes it useful.

  2026-08-18 8 min breath Warmups

This page lists published entries only (11). A further 17 are scheduled and will not appear before their date.